The origin of Olga Ilinskaya and Agafya Pshenitsyna. Oblomov and Agafya Pshenitsyna methodological development in literature (grade 10) on the topic

Agafya Matveevna Pshenitsyna, nee Mukhoyarova, is a character in Ivan Goncharov’s novel “Oblomov”. The wife of the main character - Ilya Ilyich Oblomov - and the mother of his little son Andryusha.

The woman was the sister of the official-swindler Ivan Mukhoyarov. Before her marriage to Oblomov, Agafya was the widow of another official, which is why she bore the surname Pshenitsyn at the time of her meeting with Oblomov.

Characteristics of the heroine

Agafya Matveevna was hardworking and constantly tried to please her lover, and then her husband. She liked to repeat that “there is always work.” She did not allow herself to relax: “And it used to be that everything was boiling in her hands! From morning to evening she flies!”

The heroine sought to create comfort in the house and protect her loved one from unnecessary efforts. And first, my acquaintance and then my husband, Ilya Ilyich, appreciated Pshenitsyna’s hard work: “You are a wonderful housewife!”

However, Agafya was not distinguished by erudition and high intelligence. She barely knew how to read and write: “She only found it difficult because she had to write a lot... she signed crookedly, askew and large...” This can be explained by the fact that the woman did not like to read. Let us remember her negative answer to the question: “Are you reading anything?” In addition, she practically never went to the theater and was not interested in culture.

(Ilya Oblomov meets his future wife Agafya Matveevna)

The simplicity and ingenuousness of this woman is emphasized even by her surname from her first marriage - Pshenitsyna. Ilya Oblomov’s wife was trusting. She could sign a letter, completely “not suspecting what it is and why she is signing.”

Despite this, the lady tried to engage in a unique business - selling chickens. Apparently, enterprise still united her with her brother. Although Pshenitsyna, unlike him, worked honestly and got up early in the morning: “she goes to bed and no gun will wake her up before six o’clock.”

Like her second husband, Agafya Matveevna was a homebody and did not like moving. “We were born here, we lived here for a century, we must die here...” she used to say about her estate. Ilya Ilyich previously treated his native Oblomovka in approximately the same way. He could hardly force himself to go even to meet his friend Andrei Stolts.

Moreover, the author noted that it was Oblomov who truly fell in love with Pshenitsyna for the first time. Apparently, she did not experience such feelings for her late first husband and father of her two eldest children: “Without loving, she lived to be thirty years old, and then suddenly it seemed to come over her.”

The image of the heroine in the work

Agafya Matfeevna is a thirty-year-old impoverished aristocrat. I. A. Goncharov describes the heroine as follows: “She was very white and plump in face. She had almost no eyebrows at all... Her eyes were grayish-simple, like her whole facial expression; her hands were white, but hard, with large knots protruding outward blue veins."

Tough, worn-out hands emphasize the character’s love of work. Being plump means that the lady did not care about appearance. A simple Russian woman appeared before us. It was precisely this, caring and economical, not too smart, that attracted Oblomov.

(Agafya Petrovna, Ilya Oblomov and son Andrei, named after Andrei Stolts in the novel)

The image of Agafya Matveevna, it would seem, is absolutely positive. A caring wife, an affectionate mother, an excellent housewife and simply a kind and hardworking woman. However, the writer still emphasizes: her love turned out to be destructive for Ilya Oblomov. To avoid a second stroke (apoplexy), Pshenitsyna’s husband needed to move, get up from his favorite sofa. However, his wife did not allow him to make any efforts. She cared about the absolute comfort of her beloved man. And this was precisely what became the tragic mistake of a loving wife. The apoplexy struck again, and Ilya Ilyich still died.

However, the author still gives hope that Pshenitsyna realized her mistake. After all, it was not without reason that she gave her son to be raised by Ilyinskaya and Stolz. The mother wanted the child to see the example of other people and a different life. She wished that Andryusha, unlike his late father, would learn to leave his comfort zone and go towards his dream.

After all, Oblomov lost his once beloved Olga Ilyinskaya precisely because of his own laziness. And Ilya Ilyich himself realized this. Perhaps this is why his little son Andrei was the namesake of his active friend Stolz... Therefore, Pshenitsyna, entrusting the child to the friends of her late husband, did the right thing. She knew that he would approve of her decision...

Love - the strongest human feeling - played a big role in Oblomov's life. The love of two women: one - smart, sophisticated, gentle, demanding, the other - economical, simple-minded, accepting the hero as he is. Who can understand Ilya Oblomov? What is he looking for in life, in a woman? After all, his beloved are as different as heaven and earth. And why did Oblomov stay with Agafya Pshenitsyna - a “simple woman”, and not with the divine Olga?

Yes, it is difficult to find similarities in these women. They even loved differently. Olga is spiritually, highly, and Agafya Matveevna is with earthly, primitive love. Olga’s sublime love is reflected in music, walks in the park, confessions, and lilac flowers. Agafya Matveevna’s love is a delicious pie, hot coffee, white pillows.

In my opinion, Olga’s love was a little contradictory: either she wanted to see Ilya Ilyich every day, or, on the contrary, she ordered him not to come often so that people would not think bad things. Olga needed an “improved” Oblomov, and not that good-natured sloth who lies on the sofa for days. She loved the hero the way she wanted to see him, drawn in her imagination. On the one hand, Ilyinskaya woke up a sleeping soul that is capable of feeling, crying, laughing. On the other hand, she imposed her ideas about life on her lover and demanded a change in nature itself. That’s why, it seems to me, Oblomov was “scared” of Olga and her demanding love.

Agafya Pshenitsyna, the mistress of the house in which Oblomov settled, is the complete opposite of Ilyinskaya. If we saw Olga through her soul, her eyes, then Agafya through her body; it’s not for nothing that the dimples on the elbows and the woman’s white neck are so often mentioned. Her appearance said it all: she was simple-minded, kind, affectionate, friendly, and besides this, she was an excellent housewife. She protected Oblomov’s peace, prepared delicious food for him, kept his room clean, and took care of his health. Here it is - a quiet haven that Oblomov and Olga would never have had. Such a peaceful, comfortable family life did not frighten the hero, as his marriage to Ilyinskaya frightened him, since it did not impose any responsibility on him. He loved his wife, son, family life, which personified the main thing for him - physical and mental peace.

The word has been found - peace! It was the desire for eternal rest, physical and moral, for an endlessly lasting state of physical and mental immobility that ultimately determined the choice of the hero. Perhaps Oblomov made his choice unconsciously: after all, a choice is a responsible act, which is unusual for Ilya Ilyich, who in everything relies on the natural course of life, just nature took its toll.

The characterization of Olga Ilyinskaya in Goncharov’s novel “Oblomov” allows us to better know and understand this character. This is the main female image that plays a significant role in the work.

Roman Goncharova

The characterization of Olga Ilyinskaya is necessary to better understand the essence of this work.

It is worth noting that Ivan Goncharov worked on the novel for 12 years - from 1847 to 1859. It was included in his famous trilogy, along with “The Precipice” and “An Ordinary Story.”

In many ways, Goncharov took so long to write “Oblomov” because the work had to be constantly interrupted. Including because of the trip around the world, which the writer went on on this trip, he devoted travel essays; only after publishing them did he return to writing “Oblomov”. A significant breakthrough occurred in the summer of 1857 at the resort of Marienbad. There, in a few weeks, Goncharov completed most of the work.

Plot of the novel

The novel tells about the fate of the Russian landowner Ilya Ilyich Oblomov. He lives in St. Petersburg with his servant named Zakhar. He spends many days lying on the sofa, sometimes without getting up from it at all. He doesn’t do anything, doesn’t go out into the world, but only dreams of a comfortable life on his estate. It seems that no troubles can move him from his place. Neither the decline into which his economy is falling, nor the threat of eviction from his St. Petersburg apartment.

His childhood friend named Andrei Stolts is trying to stir up Oblomov. He is a representative of the Russified Germans and is the complete opposite of Oblomov. Always very active and energetic. He forces Oblomov to go out into the world for a while, where the landowner meets Olga Ilyinskaya, whose characterization is in this article. This is a modern and progressive-minded woman. After much thought, Oblomov makes up his mind and proposes to her.

Oblomov's move

Ilyinskaya is not indifferent to Oblomov, but he himself ruins everything when he succumbs to Tarantiev’s intrigues and moves to the Vyborg side. At that time it was actually the rural outskirts of the city.

Oblomov finds himself in the house of Agafya Pshenitsyna, who eventually takes over his entire household. Ilya Ilyich himself is gradually fading away into complete inactivity and lack of will. Meanwhile, rumors are already circulating around the city about the upcoming wedding of the heroes. But when Ilyinskaya comes to his house, she is convinced that nothing will ever be able to awaken him. Their relationship ends after that.

In addition, Oblomov finds himself under the influence of Pshenitsyna’s brother Ivan Mukhoyarov, who entangles the protagonist in his machinations. Upset, Ilya Ilyich becomes seriously ill, and only Stolz saves him from complete ruin.

Oblomov's wife

Having parted with Ilyinskaya, Oblomov married Pshenitsyna a year later. They have a son, who is named Andrei in honor of Stolz.

Disappointed in her first love, Ilyinskaya eventually marries Stolz. At the very end of the novel, he comes to visit Oblomov and finds his friend sick and completely broken. Due to his inactivity at an early age, he suffered a stroke. Ilya Ilyich foresees his imminent death and asks Stolz not to abandon his son.

Two years later, the main character dies in his sleep. His son is taken in by Stolz and Ilyinskaya. Oblomov's faithful servant Zakhar, who outlived his master, although he was much older than him, out of grief begins to drink and beg.

Image of Ilyinskaya

The characterization of Olga Ilyinskaya must begin with the fact that this is a bright and complex image. At the very beginning, the reader gets to know her as a young girl who is just beginning to develop. Throughout the novel, we can watch how she grows up, reveals herself as a woman and mother, and becomes an independent person.

As a child, Ilyinskaya receives a quality education. She reads a lot, understands things. She is constantly developing, striving to achieve new goals. Everything about her speaks of her own dignity, beauty and inner strength.

Relations with Oblomov

In the novel "Oblomov" Olga Ilyinskaya, whose characterization is given in this article, appears before us as a very young girl. She explores the world around her, tries to figure out how everything works around her.

The key moment for her is her love for Oblomov. Olga Ilyinskaya, the character description you are reading now, is overcome by a strong and inspiring feeling. But it was doomed because the young people did not want to accept each other for who they really were. Instead, they created some ephemeral, semi-ideal images that they fell in love with.

Why can’t they decide to make fundamental changes in themselves so that their likely joint relationship becomes a reality? For Olga herself, love for Oblomov becomes a duty; she believes that she is obliged to change the inner world of her lover, re-educate him, turning him into a completely different person.

It is worth recognizing that, first of all, her love was based on selfishness and personal ambitions. More important than her feelings for Oblomov was the opportunity to revel in her achievements. She was interested in this relationship in the opportunity to change a person, to help him rise above himself, to turn into an active and energetic husband. This is exactly the fate Ilyinskaya dreamed of.

In the novel "Oblomov" the comparative characteristics in the table of Olga Ilyinskaya and Pshenitsyna immediately make it clear how different these heroines are.

Married to Stolz

As we know, nothing came of the relationship with Oblomov. Ilyinskaya married Stolz. Their romance developed slowly and began with sincere friendship. Initially, Olga herself perceived Stolz more as a mentor, who was an inspiring figure for her, inaccessible in his own way.

In the characterization of Olga Ilyinskaya, a quote can be cited to better understand her relationship with Andrei. “He was too far ahead of her, too taller than her, so her pride sometimes suffered from this immaturity, from the distance in their minds and years,” - this is how Goncharov writes about her attitude towards Stolz.

This marriage helped her recover from her breakup with Oblomov. Their joint relationship looked logical, since the heroes were similar in nature - both active and purposeful, this can be seen in the novel "Oblomov". A comparative description of Olga Ilyinskaya and Agafya Pshenitsyna is given in this article below. It helps to better understand the actions of these characters.

Over time, everything changed. Stolz could no longer keep up with Olga, who was constantly striving forward. And Ilyinskaya began to become disillusioned with family life, with the very fate that was originally destined for her. At the same time, she finds herself as a mother for her son Oblomov, whom she and Stolz take in to be raised after the death of Ilya Ilyich.

Comparison with Agafya Pshenitsyna

When describing Olga Ilyinskaya and Agafya Pshenitsyna, it should be noted that the second woman who fell in love with Oblomov was the widow of a minor official. She is an ideal housewife who cannot sit idle and constantly takes care of the cleanliness and order in the house.

At the same time, a comparative description of Agafya Pshenitsyna and Olga Ilyinskaya will be in favor of the latter. After all, Agafya is a poorly educated, uncultured person. When Oblomov asks her about what she is reading, she just looks at him blankly, without answering. But she still attracted Oblomov. Most likely, because it fully corresponded to his usual way of life. She provided the most comfortable conditions for him - silence, tasty and plentiful food and peace. She becomes a tender and caring nanny for him. At the same time, with her care and love, she finally killed the human feelings that had awakened in him, which Olga Ilyinskaya tried so hard to awaken. The characteristics of these two heroines in the table make it possible to better understand them.

Comparison with Tatyana Larina

It is interesting that many researchers give a comparative description of Olga Ilyinskaya and Tatyana Larina. Indeed, without going into details, at first glance these heroines are very similar to each other. The reader is captivated by their simplicity, naturalness, and indifference to social life.

It is in Olga Ilyinskaya that those traits appear that have traditionally attracted Russian writers in any woman. This is the absence of artificiality, living beauty. Ilyinskaya differs from women of her time in that she lacks the usual female domestic happiness.

You can feel the hidden strength of character in her; she always has her own opinion, which she is ready to defend in any situation. Ilyinskaya continues the gallery of beautiful female images in Russian literature, which was opened by Pushkin’s Tatyana Larina. These are morally impeccable women who are faithful to duty and agree only to a compassionate life.

This outstanding novel was created in the mid-19th century and was immediately recognized as a classic. The name of the main character has become a household name. The book was written in time. Pushkin was on the agenda of the political life of Russia and Lermontov had already created Onegin and Pechorin - superfluous people in Russian society, people who do not leave any trace behind themselves in History. Ivan Aleksandrovich Goncharov, guided by his creative skill, creates the image of an even more useless person - Ilya Ilyich Oblomov. He brings laziness in the character of this landowner to terrifying proportions. How important it was for nobles to read this, brought up in the 19th century in the traditional style - in disdain for any work! In their understanding, work was a man's occupation! Goncharov himself received a similar upbringing in his youth, so he knew what and how to write about...

About the topic of the article

The subject of our article will not be the main character - Ilya Ilyich Oblomov. We are attracted by something else: the system of images masterfully created by the writer in the novel. “Oblomov” by Goncharov, thanks to the successfully chosen type of his heroes, was called “a sign of the times” by the progressive thought of Russia in the person of Nikolai Dobrolyubov. As we have already mentioned, the book was written during the period of awakening of national self-awareness, on the eve of liberation. Serfdom, this long-obsolete phenomenon, was about to be eliminated. And Goncharov’s novel, which was a reference book for Emperor Alexander II, nicknamed the Liberator, really contributed to its abolition.

About the characters of the novel

There are few heroes in Ivan Alexandrovich's book. This allows the author to present a detailed description of each of them during the course of the novel. Moreover, Goncharov talentedly uses the system of antipodean images he himself built: Stolz - Oblomov, Ilyinskaya - Pshenitsyna.

Female images in the novel "Oblomov" are plot-forming. At first it was the mother, then the object of the protagonist’s love - Olga Ilyinskaya and, finally, the woman who became his wife and gave birth to his son Andryusha - Agafya Matveevna Pshenitsyna. Ilya Ilyich Oblomov himself is an extremely uninitiative and inert person, cherishing his laziness and constantly being in passive reflection. He is a follower by nature. Therefore, his whole life seems to flow in the direction outlined by other people. More precisely, women close to him.

Images of women. Oblomov's mother

What kind of iconic female characters does I. A. Goncharov (“Oblomov”) create for Russian literature of the 19th century? Let's tell you more about them.

The most destructive influence on the growing Oblomov was his own mother. The upbringing he received from her formed a socially passive personality, indifferent to the life around him, immersed in the world of his dreams. As a landowner in the village of Oblomovka, Ilya Ilyich’s mother personally contributed to the establishment of the cult of idleness there. It was on her orders that nannies ran after the lively and intelligent child Ilyusha, vigilantly ensuring that the boy did not take on any work.

Female images in the novel "Oblomov" are characteristic; they actively participate in the formation of him as a person. As a result, for example, of the influence of his mother, the boy grew up into a bankrupt landed nobleman, without business acumen, deceived by swindlers, the list of which should have started with the estate manager.

Olga Ilyinskaya

Another female image is Olga Ilyinskaya. She won the heart of Ilya Oblomov with her beauty, the unacceptability of any coquetry, and her dissimilarity from other girls. This character is most fully revealed by the writer Goncharov. Female images in the novel "Oblomov" acquired the most striking component in it.

In Olga, intelligence, simplicity and free character coexisted organically. Her personality is multifaceted. The girl is attracted to literature and music. She perceives the beauty of nature. It was meeting her that did the seemingly impossible: it forced Ilya Ilyich to tear himself away from the couch, start communicating with people, and even try to improve his life.

Pshenitsyn's widow

The author would not have been able to reveal the plot of the novel without the presence of one more character - Agafya Matveevna Pshenitsyna, who organically complemented the female characters in the novel. She really loved Oblomov. Agafya Matveevna is a real homemaker: kind, loving, caring. Moreover, she is ready to sacrifice for the sake of this love. This woman’s origin is not from the noble class, like Ilyinskaya, she is from the bourgeoisie. Like most of the population at the time, she is illiterate.

The idea of ​​​​creating the image of Olga

Ilyinskaya is of noble origin, she is very harmonious in appearance: somewhat tall, with regular facial features and body shape. She was introduced to Ilya Ilyich by their mutual friend Stolz. Olga likes the richness of his mind, but is disgusted by his lifestyle: laziness and empty reasoning. She sets herself a super task - to return Ilya Ilyich to a normal life by re-educating him.

The girl represents the ideal of a wife-friend, a wife-comrade. Ilyinskaya, in contrast to Oblomov’s mother and Pshenitsyna, presents new, modern, active female images in the novel. Oblomov is embarrassed by her pressure.

Olga is completely passionate about her plan - to re-educate Ilya Ilyich. She sees this as her mission. In her understanding, both life and love are, by and large, the fulfillment of duty. Therefore, she takes her rational desire - to change Oblomov - for love, without supplementing it with spiritual warmth. At the same time, Olga herself admits that she had never previously applied such serious criteria to her close people. Oblomov is confused by new aspects in their relationship.

Literary critic Pisarev called Olga’s type “a woman of the future.” After all, it is characterized, on the one hand, by naturalness, and on the other, by an organic combination of reflection and action.

Olga's rationality of love

Reasoning so abstractly, Olga oversteps the boundaries of what is permitted in relation to the main character. She tries to manipulate Ilya Oblomov using persuasion and sarcasm. The ancient Greeks once called such rational love with the short word “pragma”. Thus, Olga’s pragmatic love, as we see, could not overcome Oblomov’s shortcomings. It is not possible for such a feeling to heal!

The role of female characters in Goncharov’s novel “Oblomov” is great. Agree, if it were not for the intrigue introduced by Olga Ilyinskaya, the plot of the book would have lost its red thread.

As a result, Oblomov, who had previously confessed his love for Olga, backs down. At the same time returning to your normal lifestyle. He breaks up with her by writing a farewell letter. Ilya Ilyich understands that the public lifestyle to which Olga is inclining him is not suitable for him.

Olga's image... Was it only education that gave her the desire for further development? Hardly. This type of woman is revolutionary for Russian literature.

Let's look at this with a comparative example. The image of Olga Ilyinskaya in Goncharov’s novel “Oblomov” is somewhat reminiscent of Pushkin’s Tatyana Larina. The same noble origin, education, similar appearance, grace. However, this is where the similarity ends. If Tatyana can be called a “tender dreamer,” then Olga is a self-sufficient person, active and energetic. This is character, this is the essence of a woman warrior. Thus, the female images in I. A. Goncharov’s novel, created a quarter of a century after Pushkin’s, have evolved and become different, corresponding to the dynamics of the development of Russian society.

The fact that she will part with Oblomov is inevitable. Olga Ilyinskaya finally admits her incompatibility with her chosen one and leaves Oblomov with the words that she loved his future. The girl realizes: living together with Ilya Ilyich will in the future mean mutual rejection by each spouse of the other’s life values. Therefore, she builds her life differently: she marries Stolz, who is as active as she is. However, Ilyinskaya has even more vital energy than her husband.

An interesting point of view on this feeling of Olga was expressed by literary critic Nikolai Dobrolyubov. He believes that Ilyinskaya tends to choose partners based on her own interests, i.e. personal benefits. Therefore, in his opinion, if Stolz stops satisfying her mercantile interests, Olga will leave him too.

Simple and sincere Pshenitsyna Agafya

A comparison of two female characters in Goncharov’s novel “Oblomov” begins from the moment of his quarrel with Olga and his move to the Vyborg side to stay with the widow Pshenitsyna.

Previously, this widow lost her husband, an official, and was left with two children. This is an adult woman who sincerely desires quiet family happiness. At the time of her acquaintance with Ilya Oblomov, she was approximately thirty years old. Agafya does not have the aristocratic sophistication of her appearance, which distinguishes the image of Olga Ilyinskaya. Outwardly, she is plump and fair-faced. She has large hands and rounded elbows. Her gray eyes - the mirror of the soul - are simple-minded and naive.

Indeed, Agafya Matveevna is not interested in everything that does not concern the household. She herself is silent, she does not even try to listen to conversations that do not interest her. However, as a housewife, this woman is omniscient and omniscient. If a topic that interests her is discussed, Pshenitsyn’s widow, as if by magic, becomes businesslike and smart.

Ilya Ilyich liked this woman immediately when, on Tarantiev’s advice, he came to her to live on the Vyborg side. Her image is undoubtedly closer to Oblomov’s soul than the image of Olga Ilyinskaya. This is exactly the kind of woman he imagined in childhood, when he read about the fabulous beauty Militrisa Kirbityevna. The fact is that the main character of the novel, infantile by nature, subconsciously desired for himself a wife-mother caring for him.

By nature, Agafya Matveevna is kind. She is helpful towards her close people. She is not attracted to entertainment: visiting theaters or walking. Concerns: feeding, clothing, helping - became the meaning of her life. Therefore, when Ilya Ilyich appeared in her house, he became an object of care for her.

The two main female characters in Goncharov’s novel “Oblomov” are two people experiencing seemingly the same feeling. But, unlike Olga Ilyinskaya’s rational love, Agafya Matveevna Pshenitsyna’s love for Ilya Ilyich is of a completely different nature. This one is heartfelt and does not involve reservations of the mind. The author speaks with warm irony about Pshenitsyna’s love for Oblomov. She fell in love without thinking, as if “falling under a cloud,” she caught a cold and got a fever.

Loyalty to Agafya Pshenitsyna

It is no coincidence that the character in the female characters of I. A. Goncharov’s novel “Oblomov” reaches the highest degree of spirituality, and precisely in the image of the illiterate, out-of-date Agafya Matveevna.

The widow of Pshenitsyn, Oblomov’s illegitimate wife, attracts the reader with her integrity and sincerity. For her, the main thing in family life is not the material aspect, but the sincerity of the relationship. Such a woman will really be next to her loved one in sorrow and in joy, in wealth and poverty. To ensure proper care for the ailing Oblomov, she sells her valuables. And when she finds out that her brother and godfather are basely deceiving and ruining Ilya Ilyich, she breaks off all relations with them.

After Oblomov's death, she loses all interest in life. “It’s like my soul was taken out,” she says about herself. Isn't this a great feeling?

What is Agafya's love like?

Agafya Pshenitsyna intuitively perceives love as something natural, not related to reason. She fell in love with Ilya Ilyich disinterestedly, not for his inherent virtues. Her feeling also flared up not because of sacrifice, that is, not despite the fact that Oblomov is imperfect.

Agafya fell in love with him precisely as a person who was initially beautiful in himself. Such love in Rus' was called Christian (previously this feeling was not assessed from the standpoint of rationality or cordiality). The essence of Christian love is to simply love because such a feeling is characteristic of a person, and not because another person - the object of love - somehow deserves it. Agafya Pshenitsyna unselfishly loves Oblomov. Obviously, therefore, in order to emphasize the truth of their love, Ivan Alexandrovich introduced an episode into the plot of the novel when the late mother, who came to Oblomov in a dream, blessed him for a relationship with Agafya.

Views on the love of Agafya and Olga

The role of female images in Goncharov's novel "Oblomov", thus, also comes down to the author's original philosophical interpretation of love. If Olga wants to see a real man in Ilya Ilyich and is trying to re-educate him accordingly, then Agafya Matveevna does not need all this. Ilyinskaya's love is an ascent to the ideal. Pshenitsyna's love is adoration. However, both of them, being in love with Oblomov, themselves experience a spiritual awakening. The female characters in Goncharov’s novel “Oblomov” are highly artistic and unique. Even the sharp-sighted Belinsky subtly noticed this feature of Ivan Aleksandrovich Goncharov - to write with a “fine brush”. None of the heroines of Goncharov’s books repeats in any way the other. They are all individual, unique, and special.

Conclusion

I. A. Goncharov masterfully portrayed two truly beautiful female characters in the novel “Oblomov”. This showed his talent, observation, knowledge of life. A woman who actively arranges life, and a woman who is a homemaker. The female images in the novel "Oblomov" are relevant for our time. Ilya Alexandrovich, like a true wizard of words, subtly reveals the traits of each of these characters. As a result, both Olga Ilyinskaya and Agafya Pshenitsyna are characters portrayed by their creator masterfully, with enormous artistic power and persuasiveness.

It is characteristic that both Olga and Agafya, during the course of the book’s plot, do not meet in person. Each of them lives and acts in its own environment. One is active, active, supportive and helping; the other is cozy, homely, selfless, loving to the end. Which one do you like best? Decide for yourself.