Little artistic. Examples of artistic style

Try writing a comment in book style!!!

Greetings, dear readers! Pavel Yamb is in touch. A captivating plot, an interesting presentation, an inimitable, unlike anything else style - and it is impossible to tear yourself away from the work. By all indications, this is an artistic style of text or a type of bookish style, since it is most often used in literature, for writing books. It mainly exists in written form. This is what causes its features.

There are three genres:

• Prose: story, fairy tale, novel, story, short story.
• Dramaturgy: play, comedy, drama, farce.
• Poetry: poem, poem, song, ode, elegy.

Who hasn't done this yet? Leave any comment and download my book, which contains a fable, a parable and a story about copywriters and writers. Look at my art style.

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1. With answer
2. With a viewing mark

1. Task 1 of 10

   1 .

   - Yes, he spent the entire scholarship. Instead of buying a new computer, or at least a laptop

2. Task 2 of 10

   2 .

   What text style does this passage belong to?

   “Varenka, such a sweet, good-natured and sympathetic girl, whose eyes always shone with kindness and warmth, with the calm look of a real demon, walked towards the “Ugly Harry” bar with a Thompson machine gun at the ready, ready to roll these vile, dirty, smelly and slippery types into the asphalt, who dared to stare at her charms and drool lustfully."

3. Task 3 of 10

   3 .

   What text style does this passage belong to?

   - But I don’t love him, I don’t love him, that’s all! And I will never love you. And what is my fault?

4. Task 4 of 10

   4 .

   What text style does this passage belong to?

   “Based on the results of the experiment, we can conclude that simplicity is the key to success”

5. Task 5 of 10

   5 .

   What text style does this passage belong to?

   “The transition to a multi-tier architecture of Internet-oriented client-server applications has confronted developers with the problem of distributing data processing functions between the client and server parts of the application.”

6. Task 6 of 10

   6 .

   What text style does this passage belong to?

   “Yasha was just a petty dirty trickster, who, nevertheless, had very great potential. Even in his pink childhood, he masterfully stole apples from Aunt Nyura, and not even twenty years had passed when, with the same dashing fuse, he switched to banks in twenty-three countries of the world, and he managed to clean them out so skillfully that neither the police nor Interpol could in any way catch him red-handed."

7. Task 7 of 10

   7 .

   What text style does this passage belong to?

   “Why did you come to our monastery? - he asked.

   - What do you care, get out of the way! – the stranger snapped.

   “Uuuu...” the monk drawled meaningfully. - Looks like you weren't taught any manners. Okay, I'm just in the mood today, let's teach you a few lessons.

   - You got me, monk, hangard! – the uninvited guest hissed.

   – My blood is starting to play! – the churchman moaned with delight, “Please try not to disappoint me.”

8. Task 8 of 10

   8 .

   What text style does this passage belong to?

   "I ask you to grant me a week's leave to travel abroad for family reasons. I am enclosing a certificate regarding the health of my wife. October 8, 2012."

9. Task 9 of 10

   9 .

   What text style does this passage belong to?

   “I am a 7th grade student who took the book “Alice in Wonderland” from the school library for a literature lesson. I undertake to return it on January 17th. January 11, 2017"

10. Task 10 out of 10

    10 .

    What text style does this passage belong to?

    “During the war in the village. Borovoe, 45 houses out of 77 survived. The collective farmers had 4 cows, 3 heifers, 13 sheep, 3 piglets. Most of the gardens on personal plots, as well as an orchard with a total area of ​​2.7 hectares belonging to the Krasnaya Zarya collective farm, were cut down. The damage caused by the Nazi invaders to the property of the collective farm and collective farmers is estimated at approximately 230,700 rubles.”

The ability to write in this style gives a good advantage when making money by writing articles for a content exchange.

Main features of the artistic style

High emotionality, the use of direct speech, an abundance of epithets, metaphors, colorful narration - these are the features of the literary language. Texts influence the imagination of readers, “turning on” their fantasy. It is no coincidence that such articles have gained popularity in copywriting.

Main features:

Artistic style is the author’s way of self-expression; this is how plays, poems and poems, stories, short stories, and novels are written. He is not like the others.

• The author and the narrator are one person. In the work, the author’s “I” is clearly expressed.
• Emotions, the mood of the author and the work are conveyed using the entire wealth of language. Metaphors, comparisons, phraseological units are always used when writing.
• Elements of conversational style and journalism are used to express the author's style.
• With the help of words, artistic images are not simply drawn; hidden meaning is embedded in them, thanks to the polysemy of speech.
• The main task of the text is to convey the author’s emotions and create the appropriate mood in the reader.

The artistic style does not tell, it shows: the reader feels the situation, as if transported to the places that are being narrated. The mood is created thanks to the author's experiences. The artistic style successfully combines explanations of scientific facts, imagery, attitude to what is happening, and the author’s assessment of events.

Linguistic diversity of style

Compared to other styles, linguistic means are used in all their diversity. There are no restrictions: even scientific terms alone can create vivid images if there is an appropriate emotional mood.

Reading the work is clear and easy, and the use of other styles is only to create color and authenticity. But when writing articles in an artistic style, you will have to carefully monitor the language: it is the book language that is recognized as a reflection of the literary language.

Language features:

• Using elements of all styles.
• The use of linguistic means is completely subordinated to the author's intention.
• Linguistic means perform an aesthetic function.

There is no formality or dryness to be found here. There are no value judgments either. But the smallest details are conveyed to create the appropriate mood in the reader. In copywriting, thanks to the artistic style, hypnotic texts appeared. They create an amazing effect: it is impossible to tear yourself away from reading, and reactions arise that the author wants to evoke.

The obligatory elements of the artistic style were:

• Conveying the author's feelings.
• Allegory.
• Inversion.
• Epithets.
• Comparisons.

Let's consider the main features of the style. There are a lot of details in works of art.

To form the reader’s attitude towards the characters or what is happening, the author conveys his own feelings. Moreover, his attitude can be both positive and negative.

The artistic style owes its rich vocabulary to epithets. Usually these are phrases where one or more words complement each other: incredibly happy, beastly appetite.

Brightness and imagery are a function of metaphors, combinations of words or individual words used in a figurative sense. Classical metaphors were especially widely used. Example: His conscience gnawed at him for a long time and insidiously, causing cats to scratch at his soul.

Without comparisons, artistic style would not exist. They bring a special atmosphere: hungry like a wolf, unapproachable like a rock - these are examples of comparisons.

Borrowing elements of other styles is most often expressed in direct speech and character dialogues. The author can use any style, but the most popular is conversational. Example:

“How beautiful this landscape is,” the writer said thoughtfully.

“Well,” his companion snorted, “the picture is so-so, not even ice.”

To enhance a passage or give a special coloring, reverse word order or inversion is used. Example: It is inappropriate to compete with stupidity.

The best in language, its strongest capabilities and beauty are reflected in literary works. This is achieved through artistic means.

Each author has his own style of writing. Not a single random word is used. Each phrase, each punctuation mark, the construction of sentences, the use or, on the contrary, the absence of names and the frequency of use of parts of speech are means of achieving the author’s intention. And every writer has his own ways of expressing.

One of the features of the artistic style is color painting. The writer uses color as a way to show atmosphere and characterize characters. The palette of tones helps to dive deeper into the work, to present the picture depicted by the author more clearly.

Features of the style include deliberately identical construction of sentences, rhetorical questions, and appeals. Rhetorical questions are interrogative in form, but they are narrative in essence. The messages in them are always associated with the expression of the author’s emotions:

What is he looking for in a distant land?

What did he throw in his native land?

(M. Lermontov)

Such questions are needed not to obtain answers, but to attract the reader’s attention to a phenomenon, subject, or to express a statement.

Appeals are also often used. In their role, the writer uses proper names, animal names, and even inanimate objects. If in a conversational style the address serves to name the addressee, then in the artistic style they more often play an emotional, metaphorical role.

It involves all the elements at the same time, as well as some of them. Each has a specific role, but the goal is common: filling the text with colors to maximize the conveyed atmosphere to the reader.

Features of speech

The world of fiction is the world that the author sees: his admiration, preferences, rejection. This is what causes the emotionality and versatility of the book style.

Vocabulary features:

1. When writing, template phrases are not used.
2. Words are often used in a figurative sense.
3. Intentional mixing of styles.
4. The words are emotionally charged.

The basis of vocabulary is, first of all, figurative means. Highly specialized combinations of words are used only slightly to recreate a reliable situation in the description.

Additional semantic nuances are the use of polysemantic words and synonyms. Thanks to them, an original, unique, imaginative text is formed. Moreover, not only expressions accepted in literature are used, but also colloquial phrases and vernaculars.

The main thing in book styles is its imagery. Every element, every sound is significant. That’s why common phrases and original neologisms are used, for example, “nikudism.” A huge number of comparisons, particular accuracy in describing the smallest details, the use of rhymes. Even the prose is rhythmic.

If the main task of the conversational style is communication, and the scientific one is the transmission of information, the book style is intended to have an emotional impact on the reader. And all the linguistic means used by the author serve to achieve this goal.

Purpose and its tasks

Artistic style is the building material for creating a work. Only the author is able to find the right words to correctly express thoughts, convey the plot and characters. Only a writer can make readers enter the special world he created and empathize with the characters.

Literary style distinguishes the author from the rest and gives his publications a peculiarity and zest. That’s why it’s important to choose the right style for yourself. Each style has its own characteristics, but each writer uses them to create his own style. And there is absolutely no need to copy classic writers if you like him. He will not become his own, but will only turn publications into parodies.

And the reason is that individuality was and remains at the head of the book style. Choosing your own style is very difficult, but this is what is valued most of all. So the main features of the style include sincerity, which forces readers not to tear themselves away from the work.

Artistic style differs from other styles in the use of linguistic means of other styles. But only for aesthetic function. And not the styles themselves, but their features and elements. Literary and extra-literary means are used: dialect words, jargon. All the richness of speech is necessary to express the author's intention and create a work.

Imagery, expressiveness, and emotionality are the main things in book styles. But without the author’s individuality and special presentation there would not be the most artistic work as a whole.

There is no need to get carried away excessively with conversational style or include scientific terms in the text: only elements of styles are used, but all styles are not thoughtlessly mixed. And a description of the smallest details of the apartment into which the main character glanced briefly is also useless.

Colloquialisms, jargon, a mixture of styles - everything should be in moderation. And a text written from the heart, not compressed or stretched, will become hypnotic, attracting attention to itself. This is the purpose that artistic style serves.

Pavel Yamb was with you. See you!

“The Little Prince” was born in 1943, in America, where Antoine de Saint-Exupéry fled from Nazi-occupied France. This unusual fairy tale, equally well received by both children and adults, turned out to be relevant not only during the Second World War. Today, people still read it, trying to find in “The Little Prince” answers to eternal questions about the meaning of life, the essence of love, the price of friendship, and the necessity of death.

In form - a story consisting of twenty-seven parts; in plot - a fairy tale telling about the magical adventures of Prince Charming, who left his native kingdom because of unhappy love; in artistic organization - a parable - simple in speech performance (it is very easy to learn from “The Little Prince” French) and complex in terms of philosophical content.

The main idea of ​​the fairy tale-parable is the affirmation of the true values ​​of human existence. The main antithesis is the sensual and rational perception of the world. The first is typical for children and those rare adults who have not lost their childish purity and naivety. The second is the prerogative of adults, firmly rooted in the world of rules they themselves created, often absurd even from the point of view of reason.

The appearance of the Little Prince on Earth symbolizes the birth of a person who comes into our world with a pure soul and a loving heart, open to friendship. The fairy-tale hero's return home occurs through real death, which comes from the venom of a desert snake. The physical death of the Little Prince embodies the Christian idea of ​​the eternal life of the soul, which can go to Heaven only by leaving its bodily shell on earth. The fairy-tale hero's yearly stay on Earth correlates with the idea of ​​the spiritual growth of a person learning to be friends and love, to care for and understand others.

The image of the Little Prince is based on fairy-tale motifs and the image of the author of the work - a representative of an impoverished noble family, Antoine de Saint-Exupéry, who in childhood bore the nickname “Sun King”. The little boy with golden hair is the soul of the author who never grew up. The meeting of an adult pilot with his child self occurs in one of the most tragic moments of his life - a plane crash in the Sahara Desert. The author, balancing on the brink of life and death, learns the story of the Little Prince while repairing the plane and not only talks to him, but also goes together to the well, and even carries his subconscious in his arms, giving him the features of a real character, different from him.

The relationship between the Little Prince and Rose is an allegorical depiction of love and the difference in its perception between a man and a woman. Capricious, proud, beautiful Rose manipulates her lover until she loses power over him. Tender, timid, believing in what he is told, the Little Prince suffers cruelly from the beauty’s frivolity, not immediately realizing that he had to love her not for words, but for deeds - for that wonderful aroma that she gave him, for all that the joy she brought into his life.

Having seen five thousand Roses on Earth, the space traveler becomes desperate. He was almost disappointed in his flower, but the Fox, who met him on the way in time, explains to the hero the truths long forgotten by people: that you need to look with your heart, and not with your eyes, and to be responsible for those you have tamed.

The artistic image of the Fox is an allegorical depiction of friendship, born from habit, love and the desire to be needed by someone. In an animal’s understanding, a friend is someone who fills his life with meaning: destroys boredom, allows him to see the beauty of the world around him (comparing the Little Prince’s golden hair with ears of wheat) and cry when parting. The little prince learns the lesson given to him well. Saying goodbye to life, he thinks not about death, but about his friend. The image of the Fox in the story also correlates with the biblical Serpent-tempter: for the first time the hero meets him under an apple tree, the animal shares with the boy knowledge about the most important foundations of life - love and friendship. As soon as the Little Prince comprehends this knowledge, he immediately acquires mortality: he appeared on Earth traveling from planet to planet, but he can leave it only by abandoning his physical shell.

The role of fairy-tale monsters in Antoine de Saint-Exupery's story is played by adults, whom the author snatches from the general mass and places each on his own planet, which encloses a person within himself and, as if under a magnifying glass, shows his essence. The desire for power, ambition, drunkenness, love of wealth, stupidity are the most characteristic features of adults. Exupery presents the common vice of all as activity/life that is devoid of meaning: the king from the first asteroid rules over nothing and gives only those orders that his fictitious subjects can carry out; the ambitious person values ​​no one but himself; the drunkard is unable to escape the vicious circle of shame and drinking; a business man endlessly adds up the stars and finds joy not in their light, but in their value, which can be written on paper and deposited in a bank; The old geographer is mired in theoretical conclusions that have nothing in common with the practical science of geography. From the point of view of the Little Prince, the only reasonable person in this row of adults is the lamplighter, whose craft is useful for others and beautiful in its essence. Perhaps this is why it loses its meaning on a planet where the day lasts one minute, and on Earth electric lighting is already in full swing.

The story about the boy who came from the stars is written in a touching and bright style. She is completely imbued with sunlight, which can be found not only in the hair and yellow scarf of the Little Prince, but also in the endless sands of the Sahara, ears of wheat, the orange Fox and the yellow Snake. The latter is immediately recognized by the reader as Death, because it is she who is characterized by power greater “than the king’s finger,” the ability to “carry further than any ship” and the ability to solve “all riddles.” The snake shares with the Little Prince his secret of knowing people: when the hero complains about loneliness in the desert, she says that “it can be lonely among people too.”

The sad end does not cancel the life-affirming beginning of the fairy tale: the author begins to hear the stars and see the world in a new way because “somewhere in an unknown corner of the universe, a lamb that we have never seen, perhaps, ate a Rose that is unknown to us.”

Artistic style is a special style of speech that has become widespread both in world fiction in general and in copywriting in particular. It is characterized by high emotionality, direct speech, a wealth of colors, epithets and metaphors, and is also designed to influence the reader’s imagination and act as a trigger for his fantasy. So, today we will detail and visually examples we are considering artistic style of texts and its application in copywriting.

Features of the artistic style

As mentioned above, the artistic style is most often used in fiction: novels, short stories, short stories, stories and other literary genres. This style is not characterized by value judgments, dryness and formality, which are also characteristic of styles. Instead, he is characterized by narration and the transfer of the smallest details in order to form in the reader’s imagination a filigree form of the conveyed thought.

In the context of copywriting, the artistic style has found a new embodiment in hypnotic texts, to which an entire section “” is dedicated on this blog. It is the elements of artistic style that allow texts to influence the limbic system of the reader’s brain and trigger the mechanisms necessary for the author, thanks to which sometimes a very interesting effect is achieved. For example, the reader cannot tear himself away from the novel or he experiences sexual attraction, as well as other reactions, which we will discuss in subsequent articles.

Elements of artistic style

Any literary text contains elements that are characteristic of its presentation style. The most characteristic artistic style is:

• Detailing
• Conveying the author's feelings and emotions
• Epithets
• Metaphors
• Comparisons
• Allegory
• Using elements from other styles
• Inversion

Let's look at all these elements in more detail and with examples.

1. Detail in literary text

The first thing that can be highlighted in all literary texts is the presence of details, and for almost everything.

Art Style Example #1

The lieutenant walked along the yellow construction sand, heated by the scorching afternoon sun. He was wet from the tips of his fingers to the tips of his hair, his whole body was covered with scratches from sharp barbed wire and ached from maddening pain, but he was alive and was heading towards the command headquarters, which was visible on the horizon about five hundred meters away.

2. Conveying the author’s feelings and emotions

Art Style Example #2

Varenka, such a sweet, good-natured and sympathetic girl, whose eyes always shone with kindness and warmth, with the calm look of a real demon, walked to the Ugly Harry bar with a Thompson machine gun at the ready, ready to roll into the asphalt these vile, dirty, smelly and slippery types who dared stare at her charms and drool lustfully.

3. Epithets

Epithets are most typical for literary texts, since they are responsible for the richness of vocabulary. Epithets can be expressed by a noun, adjective, adverb or verb and are most often represented by groups of words, one or more of which complement the other.

Examples of epithets

Example of artistic style No. 3 (with epithets)

Yasha was just a small dirty trickster, who, nevertheless, had very great potential. Even in his pink childhood, he masterfully stole apples from Aunt Nyura, and not even twenty years had passed before, with the same dashing fuse, he switched to banks in twenty-three countries of the world, and managed to peel them so skillfully that neither the police nor There was no way Interpol could catch him red-handed.

4. Metaphors

Metaphors are words or expressions with a figurative meaning. Found widespread among the classics of Russian fiction.

Artistic Style Example #4 (Metaphors)

5. Comparisons

An artistic style would not be itself if there were no comparisons in it. This is one of those elements that add a special flavor to texts and form associative connections in the reader’s imagination.

Examples of comparisons

6. Allegory

Allegory is the representation of something abstract using a concrete image. It is used in many styles, but it is especially typical for artistic ones.

7. Using elements from other styles

Most often this aspect manifests itself in direct speech, when the author conveys the words of a particular character. In such cases, depending on the type, the character can use any of the speech styles, but the most popular in this case is conversational.

Art Style Example #5

The monk grabbed his staff and stood in the way of the intruder:

– Why did you come to our monastery? - he asked.
- What do you care, get out of the way! – the stranger snapped.
“Uuuu...” the monk drawled meaningfully. - Looks like you weren't taught any manners. Okay, I'm just in the mood today, let's teach you a few lessons.
- You got me, monk, hangard! – the uninvited guest hissed.
– My blood is starting to play! – the clergyman moaned with delight, “Please try not to disappoint me.”

With these words, both jumped out of their seats and grappled in a merciless fight.

8. Inversion

Inversion is the use of reverse word order to enhance certain fragments and give words a special stylistic coloring.

Inversion examples

conclusions

The artistic style of texts may contain all of the listed elements, or only some of them. Each performs a specific function, but they all serve the same purpose: to saturate the text and fill it with colors in order to maximally involve the reader in the conveyed atmosphere.

Masters of the artistic genre, whose masterpieces people read without stopping, use a number of hypnotic techniques, which will be discussed in more detail in subsequent articles. or email newsletter below, follow the blog on Twitter and you will never miss them.

The day was nice, hot, quiet. The sun was hot and not a cloud was visible in the blue sky. Grandfather Semyon and his grandson Antip were returning home from the apiary.

The road lay along the field. It was stuffy in the field, and where else could one enjoy the coolness if not in the shade of the trees. There were few trees - only three cherries.

- Look how the cherry tree has grown! - said grandfather Semyon. - Look, grandson, and here is a very young cherry tree. Let's come here tomorrow and dig up a young cherry tree. Let's plant it in the garden, let it grow and make Grandma Lukerya and I happy with cherries.

The grandson said nothing.

The next day they took two shovels, the big one for Grandfather, and the little one for Antipka. Grandfather Semyon began to look for a place where to start digging, and Antip looked at the young cherry tree. She pressed her thin branches against the old cherry tree, as if she realized that she would soon be left alone.

“Grandfather, let’s not touch the cherry, it doesn’t want to leave its people.” They stand here, three old cherry trees, like three sisters, and a young one rises next to them.

“Wow, you’re compassionate,” said grandfather Semyon. - Well, if you don’t want to, then let’s not touch the cherry. We'll go to the nursery and pick out the one you want.

A young cherry tree threw its branches up towards the sun.

“As if she clapped her hands,” Antipka laughed.

His soul was light.

Questions and tasks for the fiction story “Cherry”

Why did Antip ask his grandfather not to dig up the cherry tree?

Do you agree with Antipas' actions?

What kind of boy do you think Antip is by nature?

Would you dig up a cherry tree?

Draw three old cherries and one young one.

A small artistic scandal in a major scientific, cultural and industrial center

The artist is always tied to the tops of two closed birches, or whatever trees are suitable for the simplest way of doubling commodity objects. He, of course, always wants to be understood by his country, but the opportunity to turn into slanting rain warms his soul. Moreover, falling into the zone of misunderstanding “makes the artist an Artist: Great Art should always be underestimated by contemporaries, otherwise what the hell kind of art is it. Just God forbid misunderstanding be thematized as the artist’s production of some “deep meanings” that society has yet to grasp not mature enough. This refers to another misunderstanding - the unwillingness of society or some of its authoritative institutions to recognize a certain language as a language that can be used in art. Or art kicks back: we don’t need such a language. Or the average person is being stingy: I slaughter piglets at the market, and don’t screw this peaceful habit of mine into the gallery.

caused, if not shock, then active rejection among many good people, many very competent and advanced philosophers, journalists, and artists. It is not at all a legend that several printing houses refused to print the book, refused real money - out of principle (this is very similar to an advertising fairy tale, I understand: but it is true). For those who don’t know what’s going on, I’ll explain: the book mentioned contains many photographs depicting how the artist Oleg Kulik copulates with various domestic animals - goats, calves, horses, dogs. For a long time I didn’t believe it when they told me about extremely negative reactions from the most decent and educated people: wow, man likes to fuck with fauna. Perhaps this is read as “too inhuman”: even those who do not adhere to the conformity of man to the image and likeness of God (all sorts of Cubists and their ilk completely destroyed this likeness) remain a supporter of the hydra of humanism.

But it’s almost funnier when rejection is caused by the completely ordinary language of streets and squares. Leaflets of all sorts of non-traditional religious sects, abundantly decorating public surfaces, are unlikely to be to the heart of most humanoids, but an appeal to their hairdryer, it turns out, can be perceived as an aesthetic challenge (Kabakov’s appeal to the slang of communalism was once interpreted in the same way: as if both are not demons of the native collective unconscious, as if Maria Devi Christ was not raised by her native aspens, but by some Martians).

Ekaterinburg artist Alexander Shaburov, working in the well-known and very healthy tradition of deconstruction of mass visuality, mounted his face on a leaflet of the said Davy and pasted over the capital of the Urals with the resulting product. In the most natural and banal reading, this is the destruction of the demon, the externalization of its non-absolute, playful, paper nature. Even a kind of defense of orthodox religiosity. The public consciousness perceived this as unworthy clowning and foolishness. The effect is curious. Maria, of course, is a real Satanist and doesn’t inspire much love, but she has one important quality: she’s somehow serious, even though she’s bad and dangerous, she’s religious, a real spiritual act. The bad present should be opposed to the good present. The artist, the blasphemer, makes the unreal of the present his unreal: he evades the spiritual context in general. He, in general, is more alien than Maria Devi: she says nasty things in an understandable language, and he says something incomprehensible in some completely wrong language. Language is more important than speech. Shaburov, clearly, insulted Davy, insulted - albeit without any special intent, but you have to think with your head - Orthodoxy, offended the tram passengers (in Yekaterinburg, all trams without exception are covered with such products): if he can be nice to anyone, then to a handful of lethargic psychos those interested in contemporary art. Whether he turned out to be nice to them, more on that below.

First, about the fact that Shaburov did not stop at Davy. He released a series of leaflets (the circulation is stated to be in the millions) with one signature - “Shaburov Sasha Christ” - and with different pictures. Shaburov and Stalin in Gorki; Sistine Madonna with the face of Shaburov. Russian Berlin soldier (Alyosha, it seems) with the face of Shaburov. Shaburov naked and Cicciolina. A worker and a collective farmer - both with the faces of Shaburov. Tutankhamun with the face of Shaburov. Shaburov and Lenin carry a log. Two Shaburovs on a bottle of “Rasputin”, Shaburov in an embrace with Misiano and Kabakov, non-cesiudiks (too lazy to check the spelling) with the faces of Shaburov without his pants against the backdrop of the White House. I think this whole thing is quite a nice event. Quite banal things, but done somehow correctly and competently. Firstly, every modern artist, if he is not exactly Glazunov, produces himself, and not some kind of abstract art, understood in this case as any art that produces something other than the artist himself. Secondly, in this context, all of his characters present themselves as Saviors: no matter how much you take off your pants, you will not jump out of this centuries-old tradition. Thirdly, all the Saviors turn out to be a little or a lot of artists, which, however, has always been clear.

But what is important: Shaburov, with his escheat messianism, was driven out of a fairly decent artistic environment. One large Yekaterinburg gallery was organizing a large exhibition in a very large hall: Shaburov covered all the columns from top to bottom with these leaflets of his. The organizers sniffed the columns for two days, transported experts, and on the opening day they scraped off the leaflets. They also kicked out a large, two and a half by three meter work by the artist Arseny Sergeev, which is the inscription “I will buy everything” (on the men hanging out on the streets, among the neck posters “I will buy gold”, “I will buy dollars” there is also a metaphysical “I will buy everything” "). It would seem that everything is clear. A gallery expert enthusiastically recognizes some pop art as a milestone in world art, but it’s not enough to read four old books, you also need to be able to think and look around. However, alas, this is not entirely the case. And in the enlightened capital we know examples of how rich guys rejoice and rejoice at the artist until that minute until the great Idea of ​​the Boundaries of Art is affected. And b. Sverdlovsk is not a village, there is a fair number of more or less modern galleries where Shaburov and similar fools are welcome. The matter is different.

Everyone is laughing - Glezer, Glezer, and Glezer meanwhile is very smart. He opened a museum of modern art in Vladivostok, it seems, filling it to the brim with bulldozer and near-bulldozer celebrities. And the entire Vladivostok high society, from the mayor to the prostitute Masha, came to the opening, and now the city’s public is sure that Shemyakin is modern art. But there must be several truly modern artists in Vladivostok: they were gnashing their teeth. And in Sverdlovsk, creative youth laugh at the project of a monument to repression by E. Neizvestny, but what’s the point. All the same, he is a prince, and she, the creative youth, is dirt.

Ekaterinburg interiors, by the way, can boast of all sorts of wonderful details. For example, there is no other city in Russia where, I swear, colorful advertising posters of companies providing intimate services hang on every corner. The names are increasingly female names. But there are also absolutely amazing options. Company "Tootsie". You call a girl, undress her, and then, therefore, you yourself understand who and what. Contemporary art: this is when it is impossible to distinguish aesthetic deafness from brilliant wit. May God grant that we do not discriminate.

Here is an excerpt from one Yekaterinburg letter: how they make election newspapers there. “Candidate En., a fat Jew in dark glasses who looks like Pinochet, paid the money, he doesn’t need to appear anymore - his face will be drawn as a fair-haired guy and his biography will be invented, and the recommendations of Nikita Mikhalkov, Alla Pugacheva and Academician Likhachev will be on the front page.” . This, of course, is a joke: this cannot be. I do not believe. It too. There are limits to everything.